Read more: Play Dave Brubeck - Feenbrothers - "One Mic" recording
Play Dave Brubeck
"Life is a lot like jazz, it's best when you improvise"...
- George Gershwin
Paul van der Feen - saxophone
Mark van der Feen - piano
Clemens van der Feen - double-bass
Matthijs van der Feen - drums
01. Take Five (03:22)
02. The Duke (04:41)
03. It's a Raggy Waltz (03:42)
04. Gone With The Wind (05:03)
05. Unsquare Dance (04:00)
06. Chelsea Bridge (03:57)
07. Blue Rondo a La Turk (05:33)
08. Someday My Prince Will Come (04:25)
09. Municipal (04:40)
10. Somewhere (04:10)
11. Take Five Reprise (04:21)
Total time: 47:57
Catalog Number: SL-1032A
Original recording format DXD 352,8 kHz - Premium
All other formats are converted versions of the original.
This recording is made using only one microphone; Josephson C700S.
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The Feenbrothers are an institution in the European music scene.
They started out as a family band but were soon in great demand individually, called upon by likes of the Royal Concertgebouw Orchestra, The Metropole Orchestra, Jazz Orchestra of the Concertgebouw, Toots Thielemans, Han Bennink, Caro Emerald... the list would go on for several pages, should I name all the artists that have benefitted from their superb musicianship.
They each have their own taste in music, and they are not necessarily in agreement as to what they think of as great music, but one exception is the music of Dave Brubeck.
So when looking for a theme to bring the Feenbrothers back together for a small tour, Brubeck’s music was an obvious choice.
This is our second One Mic Recording. It was not planned as such. The Brubeck concert was planned long before we had even thought about recording only using the Josephson C700S. But what happened is kind of a follow up to the story behind our first one mic recording; Carmen Gomes Inc. 'Don’t you Cry'.
The Josephson C700S microphone
Paul and Mark van der Feen, had heard the first trial recording we did with the Josephson C700S and really liked the sound, so when the Feenbrothers arrived in the studio for the sound check, they insisted that they wanted to record that way too. Frans was very sceptical as he thought the Brubeck repertoire, with it’s great dynamic variation between the tunes, did not lend itself to such a minimalistic approach. But Paul said not to worry; "Please, find the sweet spot and we’ll play in balance."
It took about three hours to complete the sound stage by carefully moving each instrument closer or further away as well as left and right in relationship to the microphone.
The four Feenbrothers are very different personalities. Where the brotherhood truly shows is when they start playing; anything and everything seems possible.
A good example is in the piano solo on 'It’s a Raggy Waltz' where Mark’s mobile phone, used for reading the setlist, falls into the piano and for a full bar creates a distortion effect as it vibrates on the piano strings. Somehow the flow of the solo is not interrupted. The incident is merely a bump in the road, that sends Mark down a slightly different path, closely followed by Clemens and Matthijs.
And in 'Gone With the Wind' Paul starts off acapella, following a sudden inspiration, forcing his brothers to create a completely different arrangement of the song on the spot.
Such pure joy of playing is infectious, listen to 'Unsquare Dance' where the audience joins in clapping along in 7/4 meter!
Matthijs, Clemens, Paul and Mark
On this recording the audience is rather more present than on our other live recordings from Studio 2. We prefer not to have more than 80 people present in the studio.
That number leaves us room to move around, change a cable or a microphone if needed, reposition the musicians if needed and so forth.
But as fate would have it, the computer system keeping count of the tickets sold for the concert, had some kind of a breakdown so instead of 80 tickets, 110 were sold.
Extra seats were brought in, so the audience ended up being very close to the band, creating a very lively atmosphere.
And as Frans noticed during the extended applause following the end of the concert; "Look at the phase meter, it's practically straight in the middle, a phase coherent applaus!".
Peter Bjørnild - Sound Liaison
Recording and mastering by Frans de Rond
Recorded at MCO, Studio 2, Hilversum, The Netherlands, on the 18th of November 2018
Produced by Peter Bjørnild
Filmed and directed by Max Boeree
Piano tuning technicians: Charles Rademaker & Naomi van Schoot
Main system - Josephson C700S
Micpre's: Merging Horus
Microphone cables by AudioQuest
Speakers: TAD Compact Evolution
Poweramp: Moon 760A
Mixing headphones: Sennheiser HD800 / AKG 702
All power cables and power conditioners by AudioQuest
Special thanks to Jules Fransen of Joystick Audio