Witmer Trio En Azul "Melody is king, and don't you ever forget it" (Quincy Jones) Cajan Witmer - Piano Han Slinger - Bas Maarten kruijswijk - Drums 02. Rhapsody In Blue (Rapsodia En Azul) (004:07) 03. Recado (03:41) 04. New York State Of Mind (04:04) 05. Moon River (04:01) 06. Moonglow (03:21) 07. Carioca (02:41) 08. Gone With The Wind (04:17) 09. St. Louis Blues (03:46) 10. Undecided (04:16) 11. Savor A Mi (05:32)Catalog Number: SL-1017A All arrangements by Cajan WitmerOriginal recording format PCM 96kHz . All other formats are converted versions of the original. The following formats are available: PCM 96kHz-24bit FLAC 96kHz-24bit DSD64-DSF
Read more: En Azul - Witmer Trio
Downloadable Items
Update Required
To play the media you will need to either update your browser to a recent version or update your
Flash plugin .
Now Playing:
Witmer Trio The real challenge for a musician once he has mastered his instrument learned all about harmony and rhythm absorbed the music of the masters that came before him and found his own voice the real challenge is one that in itself sounds very simple place yourself in complete service of the music at hand and play only what the music is asking for but as every musician will tell you this is the most difficult of all musical challenges.So many musicians these days are emphasizing the improvisation at the cost of the melody, with the result that .....''you got no melody to remember, and no beat to dance to''...
(Louis Armstrong)
Cajan Witmer came up with the idea of recording a collection of songs, with the focus primarily on the melody and have every improvisation and embellishment being inspired by the song itself. Witmer's almost vocal presentation of the melody and refined melodic improvisations, Slinger's lyrical touch and strong secure rhythmic feel combined with Kruiswijk's inventive drum patterns, which on some songs resembles 3 subtle percussion players instead of one drumset, are fulfilling the task admirably. Cajan Witmer and his companions, bassist Han Slinger and drummer Maarten Kruiswijk, has worked together for 21 years, and the empathy they feel for each other is evident throughout this recording. When creating the sound stage, we spent a great deal of time getting the balance of the trio as optimal as possible using the ambient microphone stereo pair placed in the ''sweet spot'' in studio 2, before adding the spot microphones. We wanted to create a sound field that was intimate but also with enough depth to have a visual representation of the instruments. In a sense we adopted the same philosophy as Cajan Witmer in his arrangements, we wanted the melodic part of each instrument to stand out but not overshadow the whole, thus the paino and the drums have been given a position in the sound field, not spread out Left to Right as are more common in commercial recordings. The benefit with this approach is that you can actually see the trio in front of you between the speakers, standing left to right, instead of the more common, commercial radio friendly approach, with the instruments piled on top of each other. In a sense we are old fashioned, maybe we listened to too many old jazz recordings, but on the other hand........ ''The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago." (Louis Armstrong) Microphone cables: AudioQuest Speakers: Grimm Audio LS1 Master clock: Grimm Audio CC1 Mixing headphones: AKG 702 / Sennheiser HD800 Mixing speakers: Grimm Audio LS1, TAD Compact Reference Photo cover: Milan Bjornild
